L.A.’s Finest: Michael Connelly & Robert Crais Write Crime

It was like LA Christmas in London December this year, as a new Elvis Cole and Joe Pike novel from Robert Crais was followed by Michael Connelly’s latest Harry Bosch and Renee Ballard book. Cole and Pike first appeared in 1987’s Monkey’s Raincoat; Bosch debuted in The Black Echo (1992). I have been with both writers from the start; I believe my Spectator review of Connelly’s 1997 Trunk Music may have been his first in the UK. That’s more than three decades of quality crime fiction from two writers who’ve expanded the limits of the series detective format, adding characters, branching into stand-alones, and milking the City of Angels as if it were their most precious creation. And, as this latest pair of novels proves, have never gotten stale, even as they approach the ongoing problem of the series in different ways.

Racing The Light is Robert Crais’ first novel since 2019’s A Dangerous Man. There’s no mention in the book of a pandemic hiatus, though it was entertaining to think of Elvis and his cat sitting out lockdown, with or without Pike: whether they might drive each other crazy or whether maybe each on his own would do just fine. Certainly there are few characters in crime fiction more self-contained than Joe Pike.

Regardless of Covid speculation, Racing The Light opens with Adele Schumacher’s bodyguards entering…