JOHN LE CARRE: THE THREE TINKER TAILORS

In 1938, E.M. Forster wrote that, if asked to choose between ‘betraying my country and betraying my friend, I hope I should have the guts to betray my country’. You might look at John LeCarre’s work, particularly the books now known as the ‘Smiley novels’ as a profound examination of that point of view, and Tinker, Tailor, Soldier, Spy as its apotheosis. The novel was published in 1975, and the justifiably renowned television adaptation was shown in 1979. It may strike some as foolhardy to make a film of Tinker Tailor now, but in three decades our world has changed. The wars fought by our spies are no longer symmetrical and our perception of the home team in that battle, that nebulous entity called Britain/England, depending on who’s speaking and in what context, has taken a battering from years of Thatcher/Blairism. Most importantly, our feelings about the nature of loyalty and betrayal have altered, and that change of our perspective may be the most notable thing in the new version.

The film is a fine adaptation, too, so good it drove me to re-read the book, and then to watch the TV series, which, oddly enough, I had never seen (in my early years in London I eschewed television, in part because I was working at ITN and got enough of it there). The screenplay (by Bridget O’Connor and Peter Staughan) sacrifices, as it must, character for plot, but the way it re-structures that plot, leading with the shooting of Jim Prideaux, not only makes the story flow more like a thriller, and less like a parlour mystery, but also foregrounds the novel’s…